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・ Jerry Davis
・ Jerry Davitch
・ Jerry Dawson
・ Jerry Dawson (footballer, born 1888)
・ Jerry Dawson (footballer, born 1909)
・ Jerry de Jong
・ Jerry De La Cruz
・ Jerry Dean
・ Jerry DeCaire
・ Jerry Deets
・ Jerry DeFuccio
・ Jerry DeGregorio
・ Jerry DeGrieck
・ Jerry Del Colliano
・ Jerry Delaney
Jerry Della Femina
・ Jerry Della Salla
・ Jerry DeLoach
・ Jerry DeLucca
・ Jerry Dempsey
・ Jerry Denbo
・ Jerry Dennerlein
・ Jerry Dennis
・ Jerry Denny
・ Jerry DePoyster
・ Jerry Desmond
・ Jerry Desmonde
・ Jerry DeVore
・ Jerry DeWitt
・ Jerry Dexter


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Jerry Della Femina : ウィキペディア英語版
Jerry Della Femina

Jerry Della Femina (born 1936) is an American advertising executive and restaurateur. Starting from a poor Italian background in Brooklyn, he eventually became chairman of Della Femina Travisano & Partners, an agency which he founded with Ron Travisano in the 1960s. Over the next two decades they grew the company into a major advertising house that was billing $250 million per year and had 300 employees and offices in both New York and Los Angeles. Della Femina is known for his larger-than-life personality and colorful language, and was referred to as a "'Madman' of Madison Avenue". In 1970, he wrote a book about the advertising industry, humorously titled, ''From Those Wonderful Folks Who Gave You Pearl Harbor: Front-Line Dispatches from the Advertising War''. The book became a best-seller, described by ''The Guardian'' as "one of the defining books about advertising", and eventually inspired the television series ''Mad Men''.
==Biography==
Della Femina was born into a working-class family in Coney Island, Brooklyn.〔 His father, Michael, was a composing room employee for ''The New York Times''.〔 Della Femina graduated from Lafayette High School and attended one year of night school at Brooklyn College.〔 In 1952, at age 16, he worked as a delivery boy for the Ruthruff and Ryan advertising agency. He also worked at ''The New York Times'' as a messenger boy, dropping off proofs at advertising agencies.〔 He tried unsuccessfully in 1954 to get into advertising himself and was repeatedly rejected until in 1961, when he landed a job as a copyeditor at Daniel & Charles, then worked through multiple other agencies. He worked for two and a half years at Delehanty, Kurnit & Geller, and then became a creative supervisor at Ted Bates Advertising.

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